The marble torso was draped in a toga and epigrams in Latin, in verse or in prose (called pasquinade), were attached to it. The statue spoke out about the people's dissatisfaction, he denounced injustice, and he assaulted misgovernment by members of the Church. The decorous event quickly got out of hand when it became the custom, for those who wanted to criticize the Pope or individuals in his government (for a pasquinade is first and foremost a personal attack), to write satirical poems in broad Roman dialect and attach them to the base of the statue or, more often, to the neck. One of the most known “pasquinade” to Pope Urbano VIII is:
Quod non fecerunt barbari fecerunt Barberini
Before long, other statues appeared on the scene, forming a kind of public salon or academy, the "Congress of the Wits" (Congresso degli Arguti), with Pasquino always the leader, and the sculptures that Romans called Marforio, il Facchino, and Babuino (the "Baboon"), Abate Luigi and Madama Lucrezia as his outspoken colleagues.